Thursday, 29 January 2015

STAR IMAGE

‘Star’ refers to a set of meanings of constructed around music performers in order to sell the performer to a large and loyal audience


Common Values of Music Stardom


  • Youthfulness
  • Rebellion
  • Sexual- magnetism
  • An anti authoritarian attitude
  • Originality
  • Creativity/Talent
  • Aggression/anger
  • Disregard for social values, relating to drugs sex and behaviour
  • Conspicuous consumption of sex drugs and goods
  • Success against the gods


Richard Dyer

Has written a lot about TV film and music and says that stars are a image not a real person, which is constructed out of a range of materials such as advertising and magazines. 

Stars are commodities produced and consumed on the strength of their meanings stars also depend on a range of media of their labels subsidiary in things like magazines, TV or radio to help them construct an image for themselves.

Finally Dyer says that the ‘Star Image’ is made up of a range of meanings which their target audiences find attractive to them.


STAR IMAGE IN MUSIC VIDEO'S

Rise Against - Audience Of One


The music video shows off the bands CREATIVITY, ORIGINALITY and there ANTI AUTHORITARIAN attitude, this is shown by the video portraying a child who is using a play set to make it seem to the viewers that he running a country.



Muse - Uprising

This music video shows off muse's REBELLIOUS and ANTI AUTHORITARIAN attitude by smashing windows and blowing things up in the video, this also shows the bands AGGRESSION and ANGER as well. 




Promoting Organic/Synthetic Artists

Organic and synthetic acts are promoted in different ways through their record labels.

The Organic acts are promoted and sold on their authenticity both through their music and their social life, their Image also appears unconstructed which means they're allowed to look and do what they think is best.

"Organic Act"
RAGE AGAINST THE MACHINE

However Synthetic acts are promoted and  sold on their looks or their personalities also the image of the artist is carefully constructed by the record label.

"Synthetic Act"
Lana Del Rey

Record Labels (Organic And Synthetic)

In theory,in a record label the success that the synthetic
acts have short term on single sales, will then go on to fund
the development of the organic acts for the long term.


Ideally Most big record labels such as Universal or Warner
Bro’s Records will sign a combination of both successful
synthetic and organic acts to make as much money as
possible to keep the company running, and to make a long
term profit.

For Example Below A Contrast on organic acts and
synthetic acts that Warner Bros have signed to the label


Organic Synthetic Ideology

Keith Negus, behind “Producing Pop”  identifies 2 ways of thinking about artists in the industry he states that ideologies shape an artist's image and career. And how they are marketed towards their audience




The two ways he identifies are Organic and Synthetic.


Organic


Characteristics of Organic acts include
  • Naturalistic (meaning writes own material most of the time)
  • Nurtured
  • Enhanced by record company
  • Artist is given time to evolve through their career
  • Emphasis towards albums rather than singles
  • Aimed at older sophisticated audiences
  • Main long strategy goal is to make profits


Organic Acts Include:


Linkin Park

  • Write their own songs
  • Play own instruments live
  • Given time
  • Album emphasis

30 Seconds To Mars
  • Write their own songs
  • Play own instruments live
  • Given time
  • Album emphasis

Arctic Monkeys
  • Write their own songs
  • Play own instruments live
  • Given time
  • Album emphasis




Synthetic


Characteristics of synthetic acts include
  • Combinatorial approach (writers, sticking people together)
  • Constructed acts both executive and by the record label
  • Artist given a short time to prove their success
  • Emphasis on singles not album
  • Younger, less sophisticated audiences
  • Immediate profits on a short term strategy


An Example of a Synthetic Act:


RIHANNA

  • Combinatorial approach
  • Single emphasis
  • Younger audiences
  • Intimidate profits










Tuesday, 9 December 2014

Evolution Of The Music Video Timeline with Iconic Music Videos


 1920'S-40'S

The first music videos came around during the 1920’s and 30’s. These came in the form of Soundies And Talkies and then later on the musicals first started by MGM.


MGM one of the first companys to make soundies and talkies in the 1920's


The talkies were the first versions of music videos to arrive, being produced in 1926. Talkies such as vitaphone shorts that were produced by Warner Bros. featured bands, singers and dancers.



Sing -a-long shorts were shortly created after the invention of the talkies these were created by Max Fleisher which encouraged viewers to sing along with the aid of the lyrics on screen.

In 1930’s onwards MGM started making the musical after converting the “talkie” into a full colour, all talking sound movie, the first ever musical was “The Rogue Sing” made in 1930.


Soundies then came fully in the 1940’s and were mainly three minute musicals that were mainly done at the time in America In New York, Chicago and in Hollywood between 1940 and 1946. 

The soundies were the first “music videos” to be like they are today.



1950’s


During the 1950’s music videos started to be made.
In 1956 a musician named Tony Bennett claimed that he produced and made the first ever music video when he was filmed in Hyde park in London.



One of the most iconic of the time in 1957 was Elvis Presley’s “Jailhouse Rock” which started the genre of Rock And Roll during the 60’s and 70’s. 



1950's-60's-70's

Another iconic video of the era was done by The Beatles and their feature film “A Hard Day’s Night”.

Directed by Richard Lester and it was a music video documentary showing The Beatles Career So Far at the height of 'Beatlemania'.


At the start of the 60’s the visual jukebox was created called the Scopitone, it was a French invention, it allowed people to watch music videos during the 60’s and were used in bars and other areas of recreation.


In 1961 the cinebox and colour-sonic were invented in Italy and America respectively. And performed the same functions as the Scopitone


Also during the 60’s - 70’s many artist began using promotional clips to make music videos, promotional clips known also as filmed inserts are ways of promoting their band in other countries such as the USA without having to be their

The Beatles were one of the first artists to do this and their iconic video “Strawberry Fields Forever” was a example of this. 


Other iconic videos to do promotional clips include Bob Dylan's “Subterranean homesick blues”...



And “Procol Harum's – Winter Shade of Pale”.


1980'S

At the start of the 80’s a new way to watch music videos was born, MTV (Music Television) was launched in 1981 and allowed viewers to watch music videos 24/7 on the TV. 



When first launched in 1981 the first ever video played was by “The Buggles” and “Video Killed The Radio Star”.

 
Although shortly after its launch MTV began running out of new videos to play, this lead to many UK artists such as The Beatles sending their videos abroad to MTV, This Lead to these British Acts Getting a lot of overseas recognition.
Many iconic videos that were shown during the early stages of MTV include Michael Jacksons Thriller and Billie Jean
and also Peter Gabriel's 'Sledgehammer'.



1990'S- 2003/4


During the 1990’s MTV was in full swing and started when showing the music videos director(s) along with the song title and artist, and started the craze of music videos being a way for people to show their creative vision to a artist music video. 

Mark Romanek was one director during 1995 that created 2 of the most expensive and iconic videos of all time. 

These included:
  • Michael Jackson’s “Scream”, which cost $7m to produce
  • Madonna's “Bedtime Story”, which cost $5m to produce

2005 – Present Day


2005 Marked the launch of YouTube. A video sharing website which allowed people to upload videos and allow the viewers to watch them.



One of the first bands to experiment with YouTube was “Ok Go” and uploaded two of their most famous songs in “A Million Ways” and their most iconic video in “Here It Goes Again” which in turn gained them the fame they had.


2005 – Present Day Cont.


Another ionic music video that gained worldwide success was by Thirty Seconds To Mars’ “Kings and Queens” which gained millions of views on release day of the single in 2009.



Apple and it’s iTunes software dedicate a section of its store to allow audiences to watch music videos for free, while later on in the year started selling videos for people to buy for their iPod’s.

VEVO - 2009-present

VEVO launched at the end of 2009 and partnered with YouTube and Google to show a huge number of artists music videos and many other behind the scenes videos and interviews with artists.


Then In 2012 VEVO introduced “LIFT” which supported new and up and coming artists by showing them a series of video interviews and features allowing the audiences to get to know the artists.







Style, Format & Conventions

"Performance"
Kasabian - Switchblade Smiles


Music videos also have different styles and formats that can differ from different genres. A performance video will show the artist or band playing instruments in the video in time with the song being performed, and mist likely be an organic act performing these kinds of videos.






"Narrative"
Katy Perry - Part Of Me

A Narrative style music video will most likely show a story in the video possibly involving the artist or band acting in the video, and synthetic artist will most likely use these kind of videos.







"Concept"
NWA - Straight Outta Compton

Concept videos are either thematic or symbolic. A thematic video will  show off common images in the video specific to a genre, for example metal will be performance based clips, while a rap video will have a lot of street images. Symbolic will use symbols in the videos to suggest meaning, e.g. a graveyard could symbolise death


Music Video Purpose & Function

“Music video can be seen as an attempt on behalf of the music industry to find a more efficient and cost effective method of promoting pop music” 

(PG.28 Dancing In The Distraction Factory” – Andrew Goodwin)

Andrew Goodwin
Wrote the book Dancing In The Distraction Factory in 1992. Had ideas such as thought beats which was the idea of "Seeing the sound of the song" which is similar with the idea of synaesthesia.  

He also talked about star image and that the narrative and performances in music videos, and the relationships between visuals and lyrics. And the videos Illustrate and amplify the bands star image qualities.







Music videos have a variety of different functions to them, firstly music videos can be made to help promote the release of the artists/bands latest single or a upcoming album that’s about to be released.





Another function that a music video does is that promotes the artist or band by emphasising the star image of the act. The music video also entertains the audience by watching it or it can reinforce, adapts or undermines the meanings of the specific song the video is for.